My own work to date has focused on the Dramaturgy, Dramatic writing, Text Analysis, Theatre History, and Movement theories in Acting. I am particularly interesting of movement practices and their reflection to creativity (in acting, writing and performance) by combining my knowledge on psychology, trauma studies, kinesiology and neuroscience. 

I work as a lecturer and director of education in private theatre schools in most of my professional career. I also experienced working in international festival organizations and stage arts in different positions.

  • Teaching Artist, Movement, Playwright & Dramaturg, Tiyatrohane Art School 2013 - 2019

  • Teaching Artist, YogART & YogACT, 34th Izmir International Theatre Festival 2016

  • Teaching Artist & Director of Education, Akkademi Theatre 2010 - 2013

  • Jury for Acting Talent Show, TIMS Production Istanbul 2011.

  • Teaching Artist & School Manager, MSM Art School Izmir 2008 - 2010

  • Cast Director & Acting Coach , Sihirli Anahtar Istanbul & Izmir, 2010

  • Organization Team, IKSEV International Izmir Festival 2001 - 2002

  • Guest artist, Stage West Theatre Company, Des Moines (Rabbit Hole 2008/ Little Dog Laughed 2008/Reefer Madness The Musical 2008/Angels In America - Millennium Approaches, Intern Dramaturg)

  • Guest Artist, Valerie Williams Dance Theatre Co’motion, (Intern Assistant Director - Choreographer) 2005

  •  Dokuz Eylul University, Stage Arts Experimental Theatre Group, Izmir 2002 - 2005

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In all art forms Theater is the most similar fiction form of ritual as Huizinga explained in Homo Ludens. The way it functioned and in the context of its extensions....

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Dance is like shaping the time... And dancer is like a sculptor; scraping time by extending, cutting, stopping actions and gives rhythm to time. 

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In my teaching I create my own method as Grotowski suggested; I share my experience with my students and  I invite them to a journey towards their bodies...